ZAHRA TOOTZARI

A LIFE
SHAPED
BY GLASS
An artist exploring the dialogue between glass, light and architecture
Zahra Tootzari, stained glass and architectural glass artist
Zahra Tootzari creating a stained glass artwork in her studio

ABOUT ZAHRA TOOTZARI

WHERE GLASS BECAME A LANGUAGE

Zahra Tootzari is a stained glass artist, architectural glass designer and interior designer whose practice explores the relationship between glass, light and space.

For Zahra, glass is more than a material — it is a language shaped by light, color, form and architecture. Her journey with glass began as an exploration of craft and gradually evolved into a distinctive artistic practice rooted in architecture.

Over the years, she has developed an approach in which glass works respond to their surroundings, becoming part of the identity and character of a space rather than simply an ornamental object.

From stained glass and decorative glass to architectural domes and curved forms, her work continually explores the relationship between craftsmanship and spatial design. Explore her architectural glass projects to see how these ideas take shape within different spaces.

From stained glass and decorative glass to architectural domes and curved forms, her work continually explores the relationship between craftsmanship and spatial design — allowing glass to move beyond the surface and become part of the architecture itself.

GLASS · LIGHT · CRAFT · FORM · ARCHITECTURE

Architectural stained glass dome demonstrating curved glass design

BEYOND THE
FLAT SURFACE

Zahra’s practice explores the possibilities of glass beyond conventional boundaries — from stained glass and decorative surfaces to architectural domes and complex curved forms.
Each piece is conceived in dialogue with its architecture, responding to proportion, structure and light to become an integral part of the space.

STAINED GLASS · CURVED GLASS · GLASS DOMES · DECORATIVE GLASS

THE JOURNEY

A PRACTICE
SHAPED OVER TIME

From an early exploration of glass to an established architectural practice, each chapter has shaped a deeper understanding of material, craft and space.

2002

ART & DESIGN STUDIES

Began studying Handicrafts at Tehran University of Art, developing a foundation in art, design, color and material.

2004

THE BEGINNING

Opened her own workshop and began working professionally with glass, creating artistic works and exploring its applications within architecture and interior spaces.

2016

INTERIOR DESIGN

Entered a Master's program in Interior Design, strengthening the connection between her glass practice, spatial design and architectural thinking.

TODAY

A CONTINUING PRACTICE

Continuing to explore the relationship between glass, craftsmanship and architecture through distinctive spatial and artistic works.

THE JOURNEY CONTINUES

CREDENTIALS & RECOGNITION

& CRAFT, KNOWLEDGE
RECOGNITION

A continuous journey of learning, practice and creation — shaped by education, craftsmanship and artistic recognition

01

M.A. IN INTERIOR DESIGN

Advanced studies in Interior Design, strengthening the relationship between glass, space and architectural thinking.

02

B.A. IN HANDICRAFTS — GLASS

Academic training in handicrafts with a focus on glass, art, design, color and material.

03

STAINED GLASS MASTER CERTIFICATE

Professional stained glass training and certification from IKO Studio, Italy.

04

NATIONAL ARTISTIC DEGREE

National recognition of artistic expertise and professional contribution to the field of glass art.

05

PROFESSIONAL INSTRUCTOR CERTIFICATE

Professional certification for teaching and sharing specialized knowledge in glass art and techniques.

06

TIFFANY & FUSED GLASS CERTIFICATE

Specialized training in Tiffany Glass and Fused Glass techniques, expanding creative possibilities in contemporary work.

HAVE A PROJECT IN MIND?

A DIALOGUE BETWEEN GLASS, LIGHT & SPACE

Whether you’re an architect, interior designer or private client, every project begins with a conversation about the space, the light and what the glass can become.
From the first idea to the final piece, each work is shaped around its architectural setting, bringing together proportion, color, craftsmanship and natural light. Whether you have a clear vision or are simply exploring possibilities, the process begins by understanding your space and discovering how glass can become a meaningful part of it.

LET’S CREATE
SOMETHING TIMELESS

ART IN ARCHITECTURE

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LET’S CREATE SOMETHING TIMELESS